Showing posts with label rizzla. Show all posts
Showing posts with label rizzla. Show all posts

Wednesday, June 19, 2013

GOOD TIMES: BATTYJACKING WITH RIZZLA & DICAP

We're in the final homestretch of our weekly Wednesday Good Times party at Eastern Bloc (we end June 26th) and so we've really been trying to make every moment / song / guest DJ a stunner. Last week, we brought in our good friend DJ Dicap to open right before our guest headliner Rizzla, who absolutely killed it with his infectious blend of dancehall and soca.


Even though Dicap, Rizzla and I all ended up using our computers, both Dicap and I have recently gone back to using CDJs—either with USBs or straight-up CDs—while an increasing number of DJs have been seen around NYC experimenting with...get ready for it...iPad DJing.


As I mentioned last week, our good ol' Good Times digicam seems to be breaking slash sad that the party is ending slash really into alien-looking, Butt Magazine–tinted snapshots such as this gorgeous shot of Buddha's secret cyborg face.


Happy birthday Charlie Q! It seems like only yesterday that you were working at the Strand and we were drinking unlimited drinks at the Hole's Big Gulp every friggin' Thursday.


More cyborg love from Luis (left) and Steven, two of my Good Times favorites who have transitioned JIZZ favorites, the monthly hip hop-flavored party Dicap and I do at Metropolitan every third Friday. We're doing one this Friday, June 21st , and then headed to SF together next Thursday.


Cyborg Mike (left, with Kevin) has been reclaiming his spot in New York nightlife after a 2.5 year hiatus in India. He is also learning that after 2.5 years, New York nightlife now extends into the early morning, which is why we're glad he still doesn't have to be anywhere at 9am yet.


DOUBLE CUTENESS OVERLOAD, courtesy of Nick (left) and Buddha.


Dicap on the right seems to be going in for a boob grab while simultaneously Vining, Facebooking and Instagramming the entire moemnt. #multitalented


Rizza gives me life. His mixes, productions and live sets (including last Wednesday's) are so unlike anything I've ever heard before in such a good way that I'm ready to follow him around the world as soon as he gets even bigger, which is due to happen at any moment.


Are they speaking again or are they fighting again. Come to the second to last Good Times on Wednesday, June 19th and find out. It'll be our Last Dance Donna Summer party with Michael T. which you know can only mean one thing: SHOWS. (PS - shout out to Rizzla's bf holding it down in the DJ booth in the background during Rizzla's epic set.)


Cyborg Darren, refueling his robot muscle body with whatever robots use for fuel.


And then this happened.


Someone actually fixed the camera for a hot minute so we could snap this loveliness for you. Darren has mentioned that our barman / coat checker / resident porn hunk Marcus Issacs might resume DJing on Wednesday nights after June. We're also hoping to still book some of our out-of-town DJ friends into Eastern Bloc after Good Times finishes for the summer.


SELF PORTRAIT.


A little late night lap dancing next to a backpack that might as well have a sign pinned to it that says STEAL ME!


Take a look at my hips, bitch.


GOOD TIMES TWERK TEAM REPRESENT! Thank you again to Dicap and the incredible DJ Rizzla and to everyone who came out to twerk with us last Wednesday. See you next week for a Last Dance with Michael T. and the second to last weekly Wednesday Good Times at Eastern Bloc. xo, Sparber

Monday, May 13, 2013

NOTES ON SPARBER X OAK

A few notes I jotted down on the songs I chose for my latest DJ mix, SPARBER x OAK:




1. Back Way, by Cham ft. O - I've been a huge fan of dancehall producer Dave Kelly ever since the early 2000s when I learned that he wrote Foxy Brown's Tables Will Turn track (2001) as well as Ms. Thing's 2004 debut album, Miss Jamaica. Back Way is so slow and infectious and yet hard to mix with, which is why I challenged myself to build a mixtape beginning with it. I added the Hot 97 airhorns to get around Soundcloud's copyright blocker and because who doesn't love a Hot 97 air horn?

2. Fire (Urban Shakedown Remix), by Prizna - When drum and bass first came out, the ragga tracks with Jamaican vocalists were always my favorite. I bought Toasted: Massive Ragga Jungle on CD when it first came out (awesomest packing ever too) and Prizna's track was always my favoite.

3. Renegade Berberse, by Venus X - Venus' tracks is such a brilliant mixture of middle eastern sounds with drum and bass, though I only used a small snippet of it because the sound quality wasn't so great on the rest of the version that I have.

4. Wine and Stomp, by Kingdom - I've known Ezra/Kingdom since college and have watched and listened to him grow into an incredible producer over the years. This was just a quick intro he threw onto a 2009 mix he made for Discobelle and I've always wanted to reedit it / extend it / listen to it on repeat ever since I first heard it.

5. Cook Cook, DJ Mowgly - Much like Prizna's track, I found this track infectious for its mixture of drum and bass beats with dancehall vocals. I remember seeing the video for this tune late one night on MTV's electronic music video show, AMP and thinking whoa! I need this NOW.

6. HOLLUP (Rizzla's Around the World Remix), Nina B Blanka - Brooklyn-based producer Rizzla is killing it right now with his dancehall / soca / hard house mixes and this is just one example of his brilliance. How can you not love a soca beat mixed with a sample of ATC's Around The World?

7. Eve, by Eve ft. Miss Kitty - I've always loved Ruff Ryders' first lady and her newest single/album dropped just as I was making this mix. She also did a surprise performance at Frankie Sharp's short-lived Friday party earlier this year, which I thought was pretty cool of her. Not much else to say except that I'm still Team E.V.E. after all these years.

8. Still Speedin' (Doorly Remix), by Sway - Loleatta Holloway Love Sensation sample. Need I say more?

9. What To Do, by French Fries - I've been following the career of up-and-coming producer French Fries for a while years now and he seems to know just how to mix the perfect amount of house, booty and cuntiness into a number of his tracks.

10. Couture, by Rushmore - New York DJ superstar Michael Magnan turned me on to this track, which borrows its stab from Michael Jackson's Bad. Sonically, it's so simple yet so fantastic in the way that the sounds grow and bounce around to keep you listening and dancing.

11. Work This Pussy, by Go Bitch Go - I recently inherited a ton of records from a friend who had danced his way through New York City's Sound Factory era and discovered this gem, which mixes a ton of popular samples I had previously heard but never in this particular arrangement.

12. Fajah Lourens, by Sonidos - I've always enjoyed tribal drumming sounds of all sorts yet the genres of tribal and progressive house have always scared me. This is an example of a newer tribal sound that I've been getting into: simple and rhythmic without a lot of the unnecessary progressive noise.

13. Serve, by C/V/N/T TR4XXX - A new genre of ballroom / vogue house has been emerging in the past few years with an abundance of samples from the Masters at Work classic The Ha Dance. This particular track is a throwback to Miss Fernando's Serve but with a cuntier and more acid house slant, both of which I love love love.

14 . Big Boob Bitch, by Murder Mark ft. Dai Burger and TT The Artist - I love me a Baltimore club track and it seems that B-more's Murder Mark has been stepping it up and following in the footsteps of Baltimore heavyweights Scottie B. and DJ Technics. Also, much love for NYC's Dai Burger and TT the Artist, both of whom I've been loving.

15. What is Guru, by Renaissance Man - a Sparber classic. This track has been out for a few years now but never seems to bore me or get old.

16. Sexy War, by Coyu - Such a major peak time slash I'm-ready-to-take-you-there-NOW kind of track. Coyu's follow-ups have also been promising so I can't wait to see what the rest of 2013 holds for him.

17. Edge of a Vortex, by Vin Sol - I DJ in San Francisco quite often and one of my DJ/production buddies named RJ turned me onto the music of his friends Vin Sol and Matrixxman. Both have been turning it of late, especially this track which serves a funky bassline and a sick trumpet simultaneously.

18. Forever (Prosumer's Hold Me Touch Me Remix), by Murat Tepeli - I ordered this vinyl-only release from Europe a few weeks back but only got around to ripping it the same weekend that Prosumer and Murat Tepeli came to DJ in New York City. The day after their gig (which I missed), I played this tune at Paradisco and multiple ran up to me asking, WHAT IS THIS?! HOW DO YOU HAVE THIS?! PROSUMER PLAYED THIS LAST NIGHT!

19. Horsey, by DONKEY - this is an unreleased DONKEY track that I made from Tony's Bitch Track by Frank Ski and some instruments of my own. I've always loved all of Miss Tony's lines on all the songs I've heard him sing on but this is my favorite by far. I only wish he had put out more records with more lines like "Oooooh bitch, that ain't fair, give that horsey back his hair!"

20. The Ha Dub Rewerk`d, by MikeQ - After hating the overuse of Ha Dance samples in ballroom house tracks, I began to love them again, especially the opening one on this track, which came to my attention when the Carry Nation began playing it over everything and anything and it all sounds great.

21. Elevated, by Vjuan Allure - Vjuan Allure is one of the vogue/ballroom kingpins when it comes to production and has now released an EP on Diplo's Mad Decent record label. Apparently this isn't the only use of the "elevator up and down" sample but it's simple, catchy and cunt.

22. Do Da Do (Hardhouse Dub), by Robotman - I ripped this one from a vinyl that I had tracked down after watching a Youtube marathon of The New Dance Show, where a ton of early 90s house, techno and electro from Chicago, Detroit and beyond is still waiting to be rediscovered. Robotman is one of Richie Hawtin's early aliases and I marvel at how simple and fantastic this song still sounds 20 years later.

23. Y? (The Fuzzy Fruit Mix), by Kiwi Dreams - A classic, though I have my own edit of the second half of this song (which is the part included on the mixtape) since it's all I ever want to listen to. What better way to close out my mixtape for OAK than to remind listeners that it's ovah for me (for now).

Check out OAK's photos and write-up of me at their blog over HERE.

Wednesday, May 08, 2013

SPARBER x OAK


New mix for OAK! Check out a glimpse into my life and my apartment at their blog post over HERE. And download the mixtape over HERE.